Hebrew Gnawa - singer plays guembri ๐™‡๐™–๐™ก๐™– ๐™๐™–๐™ข๐™–๐™ง - ๐™ฉ๐™ž๐™ข๐™š ๐™ค๐™› ๐™ก๐™ค๐™ซ๐™š๐™ง๐™จ ๐‘บ๐’๐’๐’ˆ ๐’๐’‡ ๐’”๐’๐’๐’ˆ๐’” | ืฉึดืื™ืจ ื”ึทืฉึดึผืื™ืจึดื™ื

12 Tส€ษชส™แด‡s Mแดœsษชแด„ โป ส™ส Mแดœsษชแด„ Pแดส€แด› Isส€แด€แด‡สŸ. Non profit that promotes music and musicians from Israel. traditional. original. sacred. secular. Spotify - email: 12tribesmusic@ Supported by: ๐‘ป๐’‰๐’† ๐‘ฎ๐’†๐’๐’†๐’”๐’Š๐’” ๐’‘๐’“๐’Š๐’›๐’† ๐’‡๐’๐’–๐’๐’…๐’‚๐’•๐’Š๐’๐’ ๐‘ฌ๐’• ๐’…๐’๐’…๐’Š๐’Ž ๐’Œ๐’‚๐’๐’‚ - ๐˜๐—ถ๐—บ๐—ฒ ๐—ผ๐—ณ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐˜€ Lyrics: ๐‘น๐’‚๐’ƒ๐’ƒ๐’Š ๐‘ฏ๐’‚๐’Š๐’Ž ๐‘ฉ๐’†๐’ ๐‘บ๐’‚๐’‰๐’, 10th century (based on song of songs poetry). Composition: traditional Moroccan Gnawa arrangement: ๐‘ณ๐’‚๐’๐’‚ ๐‘ป๐’‚๐’Ž๐’‚๐’“ ๐‘ณ๐’‚๐’๐’‚ ๐‘ป๐’‚๐’Ž๐’‚๐’“ - vocals, guembri (sintir), krakebs (hand cymbals) ๐‘ฌ๐’๐’๐’‚ ๐‘ฎ๐’“๐’†๐’†๐’๐’ƒ๐’‚๐’–๐’Ž - back vocals, krakebs (hand cymbals) ๐‘ฐ๐’Ž๐’‚๐’๐’๐’–๐’†๐’๐’๐’† ๐‘ฏ๐’‚๐’“๐’†๐’ - back vocals, krakebs (hand cymbals) ๐‘ป๐’‚๐’ ๐‘จ๐’—๐’“๐’‚๐’‰๐’‚๐’Ž - trumpet - ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป - Artistic director and content editor: ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ Producer: ๐‘ต๐’๐’‚๐’Ž ๐‘ฉ๐’‚๐’‰๐’‚๐’• music consultant: ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ mix & sound editing: ๐‘จ๐’—๐’“๐’Š ๐‘ฉ๐’๐’“๐’๐’„๐’‰๐’๐’— Camera 1: ๐‘บ๐’๐’Š๐’“ ๐‘ฒ๐’‚๐’›๐’Š๐’“ Camera 2: ๐‘ฐ๐’…๐’ ๐‘ช๐’๐’‰๐’†๐’ Editing: ๐‘บ๐’๐’Š๐’“ ๐‘ฒ๐’‚๐’•๐’›๐’Š๐’“ Recording: ๐‘บ๐’‰๐’๐’๐’Ž๐’Š ๐‘ฎ๐’—๐’Š๐’๐’Š, ๐‘ถ๐’ˆ๐’†๐’ ๐’”๐’•๐’–๐’…๐’Š๐’ Make-up: ๐‘ซ๐’†๐’ƒ๐’๐’“๐’‚๐’‰ ๐‘ฏ๐’‚๐’๐’Š๐’Ž๐’Š artistic consultant: ๐‘น๐’๐’๐’†๐’ ๐‘ท๐’†๐’๐’†๐’… ๐‘ฏ๐’‚๐’…๐’‚๐’… Location shooting: ๐‘จ๐’•๐’‚๐’๐’š๐’‚, Ein Karem, Jerusalem, ________________________________________________________ ืขืช ื“ื•ื“ื™ื ื›ืœื” ืžื™ืœื™ื: ืจื‘ื™ ื—ื™ื™ื ื‘ืŸ-ืกื”ืœ, ื”ืžืื” ื”ืขืฉื™ืจื™ืช ืœื—ืŸ: ืžืจื•ืงืื™ ืขืžืžื™ ืขื™ื‘ื•ื“: ืœืœื” ืชืžืจ ืœืœื” ืชืžืจ: ืฉื™ืจื”, ื’ื™ืžื‘ืจื™, ืงืจืงื‘ื•ืช ืืœื” ื’ืจื™ื ื‘ืื•ื: ืฉื™ืจืช ืจืงืข, ืงืจืงื‘ื•ืช ืขืžื ื•ืืœ ื”ืจืืœ: ืฉื™ืจืช ืจืงืข, ืงืจืงื‘ื•ืช ื˜ืœ ืื‘ืจื”ื: ื—ืฆื•ืฆืจื” ื ื™ื”ื•ืœ ืื•ืžื ื•ืชื™ ื•ืขืจื™ื›ืช ืชื•ื›ืŸ: ื˜ืœื™ื” ื’. ืกื•ืœืืŸ ื”ืคืงื”: ื ื•ืขื ื‘ื—ื˜ ื™ื™ืขื•ืฅ ืžื•ื–ื™ืงืœื™: ืื‘ื™ื‘ ื‘ื›ืจ ืขื•ืจืš ืกืื•ื ื“: ืื‘ืจื™ ื‘ื•ืจื•ื›ื•ื‘ ืฆืœื1: ืฉื ื™ืจ ืงืฆื™ืจ ืฆืœื2: ืขื™ื“ื• ื›ื”ืŸ ืขืจื™ื›ืช ื•ื™ื“ืื•: ืฉื ื™ืจ ืงืฆื™ืจ ื”ืงืœื˜ื”: ืฉืœื•ืžื™ ื’ื•ื™ืœื™, ืื•ืœืคื ื™ ื”ืขื•ื’ืŸ ืื™ืคื•ืจ: ื“ื‘ื•ืจื” ื—ืœื™ืžื™ ื™ื™ืขื•ืฅ ืื•ืžื ื•ืชื™: ืจื•ื ืŸ ืคืœื“-ื—ื“ื“ ืฆื•ืœื ื‘ื‘ื™ืช ืดืขืชืœื™ื” - ืื•ื›ืœ, ืื•ืžื ื•ืช, ืื™ืจื•ื—ืด, ืขื™ืŸ ื›ืจื, ื™ืจื•ืฉืœื™ื ๐—Ÿ๐—ฎ๐—น๐—ฎ ๐—ง๐—ฎ๐—บ๐—ฎ๐—ฟ Born and raised in Israel to a mother who was born in Morocco and a father who was born in Brazil. Her origins in Arab and Islamic country drawn her to sing in her mother tongue. She performs Moroccan Jewish liturgical poems as well as contemporary music in Moroccan Arabic and Ladino. she revives the culture itself, so that a new culture is born, one that is absolutely unique yet recognized around the world. She collaborates with a variety of other Arabic musicians: Palestinian artists as well as Muslims and Moroccans in both Israel and abroad. In addition, she leads two female choirs and educates children about North African and Andalusian traditions. ืœืœื” ืชืžืจ ื‘ืช ืœื”ื•ืจื™ื ื™ืœื™ื“ื™ ื‘ืจื–ื™ืœ ื•ืžืจื•ืงื•. ื”ืžืฉื™ื›ื” ืฉืœื” ืœืชืจื‘ื•ืช ืขืจื‘ื™ืช ื™ื”ื•ื“ื™ืช ืžืชื‘ื˜ืืช ื‘ืจืคืจื˜ื•ืืจ ืื•ืชื• ื‘ื•ื—ืจืช ืœื‘ืฆืข. ืžื•ื–ื™ืงื” ืžืจื•ืงืื™ืช ื™ื”ื•ื“ื™ืช ืฉื•ืจืฉื™ืช, ืžื•ื–ื™ืงื” ืขื‘ืจื™ืช ืžืจื•ืงืื™ืช, ืžืกื•ืจื•ืช ืžื•ื–ื™ืงืœื™ื•ืช ืฉืœ ื™ื”ื•ื“ื™ ืกืคืจื“ ื•ืžืจื•ืงื•. ๐—˜๐˜ ๐—ฑ๐—ผ๐—ฑ๐—ถ&#