SIMPLE 4-note ARPEGGIOS for SOPHISTICATED sounds!

In this tutorial you’ll learn 3 very simple arpeggio shapes to create some very interesting and sophisticated sounds that you can use in Jazz, Fusion and Rock improvisations and compositions. The 3 shapes are based upon the Maj7, Maj7b5 or Maj7#11 and Maj7#5 arpeggio. Using them in the right way will enable you to play modal instantly. From simple major and minor sound to modes of the major scale (dorian, phrygian, lydian, mixolydian and Locrian) to the beautiful modes of the melodic minor scale like Lydian augmented and Lydian dominant. E-book with audio files: Other E-books with audio files: ----------------------------- E-BOOK - Easy arpeggios for sophisticated results ----------------------------- E-BOOK - Improvising over dominant 7 chords (using scales) ----------------------------- E-BOOK - Modes of the major scale crystal clear ----------------------------- E-BOOK - Exotic Pentatonic scale for Guitar ----------------------------- E-BOOK - Modes of the harmonic minor scale ----------------------------- E-BOOK - Secrets of outside playing ----------------------------- E-BOOK - Superimpose Pentatonic scales ----------------------------- E-BOOK - Traids and inversions for Guitar ----------------------------- Supporting downloads (): - PDF sheet with all arpeggios diagrams - HQ II V I Backing track in C major for free use. - Supporting backing tracks for this tutorial In this tutorial you’ll learn 3 very simple arpeggio shapes to create some very interesting and sophisticated sounds that you can use in Jazz, Fusion and Rock improvisations and compositions. The 3 shapes are based upon the Maj7, Maj7b5 or Maj7#11 and Maj7#5 arpeggio. Using them in the right way will enable you to play modal instantly. From simple major and minor sound to modes of the major scale (dorian, phrygian, lydian, mixolydian and Locrian) to the beautiful modes of the melodic minor scale like Lydian augmented and Lydian dominant. Supporting material can be found here: 0:00 Intro 1:09 The red pill 1:44 4 notes – 3 patterns 6:02 Pattern 1 – Maj7 8:19 Pattern 2 – Maj7b5 (Maj7#11) 14:41 Pattern 3 - Maj7#5 19:01 Conclusion You can support me on my patreon page (also for tabs of the licks played in this video): Artwork: (c) 2021) Rob van Hal Used: Strandberg* Boden Prog NX () Ibanez JEM 7vb () Ibanez SD GR Bass () Takamine GD930 () Castilla Classical Guitars Oktave MK-012 microphone Axe FX II () Neural DSP plugins () Fireface UCXII audio interface () Social Media/contact: (c)2023 Rob van Hal, Netherlands Subjects in this video: Arpeggio, guitar arpeggio, Guitar arpeggios, Maj7 arpeggio, Maj7#11 arpeggio, Maj7b5 arpeggio, Maj7#5 arpeggio, easy arpeggios, Jazz guitar, Jazz arpeggios, Fusion guitar licks, Superimposing arpeggios, Modes for guitar, Modes of the major scale, Lydian mode, dorian mode, Phrygian mode, Mixolydian mode, Locrian mode, Modes of the melodic minor scale, Lydian dominant, Lydian augmented, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks,